Movies Detail of Hear No Evil (2014)
✓ Title : Hear No Evil
✓ Release Date : June 21st, 2014
✓ Genres : Thriller, Drama
✓ Runtime : 90 minutes
✓ Director : Russ Parr
✓ Writer : Russ Parr
✓ Companies : Swirl Films, UpToParr Productions LLC
✓ Country : United States of America
✓ Cast : Kaia Davis, Leander Suleiman, Jill Marie Jones, Richard T. Jones, Jahnee Wallace, Jackie Long, Michael Provost
✓ Release Date : June 21st, 2014
✓ Genres : Thriller, Drama
✓ Runtime : 90 minutes
✓ Director : Russ Parr
✓ Writer : Russ Parr
✓ Companies : Swirl Films, UpToParr Productions LLC
✓ Country : United States of America
✓ Cast : Kaia Davis, Leander Suleiman, Jill Marie Jones, Richard T. Jones, Jahnee Wallace, Jackie Long, Michael Provost
Synopsis of Hear No Evil (2014)
A freak accident jolts 15 year-old Shelby Carson (Jahnee Wallace) from her peaceful world of silence and seclusion to the center of a world of chaos, confusion and imminent danger. As she struggles to cope with her new found circumstances, Shelby battles with what she learns about the people around her; complete strangers and her dearest loved ones. What seems to be a blessing from God on the surface, could very well be a curse that will rock her family to the core. Relationships are tested, secrets revealed, in this untold story of family, faith and the resolve of a young girl in spite of her circumstances.
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◈ Hear No Evil Full Movie HD Movie - Often strictly defined as a literary genre or form, though in practice it is also found in the graphic and performing arts. In satire, human or individual vices, follies, abuses, or shortcomings are held up to censure by means of ridicule, derision, burlesque, irony, or other methods, ideally with the intent to bring about improvement. Satire is usually meant to be funny, but its purpose is not primarily humour as an attack on something the author disapproves of, using wit. A common, almost defining feature of satire is its strong vein of irony or sarcasm, but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre all frequently appear in satirical speech and writing. The essential point, is that "in satire, irony is militant." This "militant irony" (or sarcasm) often professes to approve (or at least accept as natural) the very things the satirist actually wishes to attack.
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