Movies Detail of Blindfold (2008)
✓ Title : Blindfold
✓ Original Title : Les yeux bandés
✓ Release Date : January 9th, 2008
✓ Genres : Drama, Crime
✓ Runtime : 81 minutes
✓ Director : Thomas Lilti
✓ Writers : Pierre Chosson, Thomas Lilti
✓ Company : Sombrero Films
✓ Country : France
✓ Cast : Lionel Abelanski, Chloé Réjon, Frédérique Meininger, Jean-François Stévenin, Jean Senejoux, Guillaume Depardieu, Sarah Grappin, Léo Legrand, Pierre-Quentin Faesch, Jonathan Zaccaï
✓ Original Title : Les yeux bandés
✓ Release Date : January 9th, 2008
✓ Genres : Drama, Crime
✓ Runtime : 81 minutes
✓ Director : Thomas Lilti
✓ Writers : Pierre Chosson, Thomas Lilti
✓ Company : Sombrero Films
✓ Country : France
✓ Cast : Lionel Abelanski, Chloé Réjon, Frédérique Meininger, Jean-François Stévenin, Jean Senejoux, Guillaume Depardieu, Sarah Grappin, Léo Legrand, Pierre-Quentin Faesch, Jonathan Zaccaï
Synopsis of Blindfold (2008)
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Welcome to our updated Essential Movies To Watch, which features incredible must-watch movies from the 1920s to today! In our annual refresh, we’re sticking with the list’s original vision as a definitive source of movie guidance and education for all ages and stages, whether you’re a seasoned film buff or just starting out, while reflecting new trends and significant movies uncovered over the past year. We’re also just making sure we give you some really good movies to watch.
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◈ Blindfold Hollywood Movie Full HD - Often strictly defined as a literary genre or form, though in practice it is also found in the graphic and performing arts. In satire, human or individual vices, follies, abuses, or shortcomings are held up to censure by means of ridicule, derision, burlesque, irony, or other methods, ideally with the intent to bring about improvement. Satire is usually meant to be funny, but its purpose is not primarily humour as an attack on something the author disapproves of, using wit. A common, almost defining feature of satire is its strong vein of irony or sarcasm, but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre all frequently appear in satirical speech and writing. The essential point, is that "in satire, irony is militant." This "militant irony" (or sarcasm) often professes to approve (or at least accept as natural) the very things the satirist actually wishes to attack.
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